
"So beautifully sublime; the depth of pure authenticity, ridiculous skills and breathtaking honesty..."

Photo by Jade Ferguson

Photo by Jade Ellis

Photo by Freyja Hooper

Photo by Jade Ferguson
For Whom The Bell Tolls
A declaration of hope.
A hope is not a wish, but a protest for what is possible.
Performed at dusk below an iconic bell, Bridie Hooper invites you to share your hopes and bear witness to a series of performed passages that inspire a reconsideration of our unity and connection.
Drawing on the bell’s sonic wonder, the virtuosity of circus, and the intimacy of the invitation, each hope is transformed through a personalised physical rite, ascending to its release in the distinctive sound of the tolling bell.
Ringing out across the landscape, these calls to action celebrate the power of hope, empowering us through an innately human experience.
What do you hope for…?
CREATIVE TEAM
Director/Artist- Bridie Hooper
Bell Concept, Design and Tuning- Anton Hasell
Dramaturg- Liesel Zink
Composer – Lawrence English
Set Design- Josh McIntosh
Lighting Design - Steven May
Artistic Mentor- Ida Sophia
Rigger - Helen Clifford
Production Manager - Peter Rhoades
Stage Manager - Imogen Millhouse
Producer- Tom Pritchard
Music by Banquet Darling. Performed with the support and generosity of invited guests.
A huge thank you to the generosity of our donors who have contributed to the premiere season of For Whom The Bell Tolls. Your support is deeply appreciated.
Sonic Resonators:
Este Darin-Cooper
Nathan Boyle
Hope Transformers:
Jacinta Hooper
Derek Hooper and Marg Cameron
Anonymous
Bell Tollers:
Marty Evans
Joe Taylor
Linda Nakell & Robert Dawson
Jennifer McDonald
Anonymous
Essential Supporters:
Angela and Reece Maxwell
Lucinda Hooper
Benjamin Knapton
Catherine Frederick
Gabrielle Taylor
Billie Wison-Coffey
Anonymous
For Whom the Bell Tolls is supported by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, the Queensland Government through Arts Queensland and is supported through the Australian Cultural Fund. It has received additional support from the wonderful ShawCandy, Brisbane Powerhouse, Circa and Flipside Circus. The premiere season was made possible thanks to the generosity of all those who donated to its fundraising campaign.



